corridor gallery

Faces from Away – Elizabeth Sircom

Annapolis Valley artist Elizabeth Sircom exhibits a series of portrait drawings and terracotta busts inspired by people she met while living in France. Her exhibition, Faces from Away, is on view in the Corridor Gallery May 3 – 30, 2016. Describing the work on view, Sircom explains: I think any successful portrait is rich in…

Gambol – Gary Castle

Lantz-based mixed-media artist Gary Castle exhibits a series of paintings and collage-based works in his exhibition Gambol, on view in the Corridor Gallery April 4 – 28, 2016. Describing his inspiration for the work on view, Castle explains: Aside from the fact that I am totally addicted to art, I have analysed myself as being…

Memory Series – Lydia Hunsberger

Emerging artist Lydia Hunsberger exhibits her recent series of photographs that examine the theme of memory in relation to space. Hunsberger has documented locations in which she has allowed a thin white veil to blow through or partially cover the landscape seen by the camera lens. Memory Series is on view in the Corridor Gallery…

Corridor Gallery Accepting Submissions

The Corridor Gallery (located inside the Visual Arts Nova Scotia office) is now taking submissions for 2016! Artwork will be considered on a first-come, first-serve basis and applicants must be members of VANS. The Corridor Gallery is located at 1113 Marginal Road in Halifax, Nova Scotia and is open Monday through Friday, 9am-5pm. Deadline for…

Urban Paper- Frankie Macaulay

Emerging artist Frankie Macaulay creates carefully executed composite images through the collection of images of decay. Through this process of collection, Macaulay constructs imagined spaces, and makes them real through building physical three-dimensional objects then placing those objects in situ through photographs. This exhibition will be on display from November 9 through December 10 and is curated by…

Dylan Fish, “Ren & Stimpy”, 6′ x 4′, acrylic latex enamel, spray paint, 2014

Super Phat – Dylan Fish

This work derives from the mischief, mayhem and intimacy of eating cereal while watching Saturday morning cartoons. Suspended between the saturated visual overload of cartoon violence and the stillness of sitting on a couch in pajamas, Super Phat strives to find visual pleasure in all that is inherently gross.